I will keep this short because I am treading in, what for me is, deep waters.
This is what happened: Ram Guha over twitter shared this, a wonderful 16 minute piece from the last episode of the fourth season of Coke studio, Pakistan, sung by the Qawwals Fareed Ayaz and his brother Abu Muhammad.
Once I listened to the song on repeat a couple of times, I decided to see what Coke Studio had during the next season. Among other thing it had this song: Ishq Aap Bhe Awalla, by the Chakwal group featuring Meesha Shafi.
Youtube has disabled embedding for this video, so you’ll have to click on the link above (which has lyrics in translation in the subtitle), or well, there is soundcloud:
Anyway, I loved the song, which is one of those folksy songs which have taught our lyricists so much about beating about the bush about sex and lust. The girl in the song is singing about being at the well, being unable to lift her pot of water, about losing her necklace, her pendant, etc. Anyway, what I like about this song is the pace.
Because, and I finally come to the point I wished to make, I think that too many Punjabi folk songs seem to be rendered at a gallop. Consider for example the old favourite: Laung Gwacha, a song which is apparently popular at wedding (and thus about sex) and is also about a girl singing about a lost piece of jewelry. Finding a version of Laung Gwacha that makes me happy has been a problem despite it having been worked on by luminaries such as Bally Sago and Pritam. It just doesn’t work for me.
But I live eternally in being made happy one day with some version of Laung Gwacha, I guess I want it a little slower and little playful.
BTW, I think a similar treatment could improve this my most favourite of Punjabi Song: GT Road Te, which is literally about drivers who drive truck down the Grand Trunk Road. The lyrics are magnificent and I think that Kuldeep Manak does do a good job. It is just that I think it can be still better.